CANBERRA
JAZZ
MICHAEL
FOSTER
Count
Basie and Beyond. John Morrisons Swing City, Canberra
Southern Cross Club - Phillip, Thursday March 20.
IT
IS something else when a concert lives up to its billing,
but Morrisons band indeed played a sensational
swing-style tribute to Count Basie.
The second concert of the clubs six Big Band Bash
series maintained the standard set by the RMC Big Band with
a hard-driving, hard-swinging interpretation of some of
Basies best, and some reflections on where he could
have gone.
It was straight ahead from the opening numbers, Sammy Nesticos
Got To Try Harder and Moten Swing; followed by Jumping at
the Woodside, and you cant get much more Basied than
that.
It
was perhaps slightly modified, as it must be by musicians
who never heard the man in person, but as someone who did
(once in the Sydney Opera House) the thrill returned. This,
it must be said, was greatly heightened by the decision
of the band to play acoustically.
Many
contemporary musicians and listeners do not understand,
or in some cases even believe, that the first recordings
of the great early bands were unamplified, through one microphone,
usually suspended above the centre of the front line.
This
meant that the musicians controlled the volume and the purity
of the sound as they did this night. Youthful pianist Matt
Baker carried a considerable responsibility. He demonstrated
sympathy, understanding and strength in his readings of
Basies lucid, unadorned, style.
Grahame
Conlon reprised the relaxed style that earned guitarist
Freddie Greene the sobriquet of The Lizard, and his place
in the band for most of five decades until Basies
death in 1984.
For
the rest Elizabeth Carthew blew stylish trumpet and flugelhorn,
and powered through vocals on This Madness Called Love and
The Lady is a Tramp.
For
the rest Natalie Morrisons bass and Johns drums
laid out the beat and the horns moaned, wailed and shouted
wonderfully appropriately individually and in concert, including
the reeds of Anita Thomas - What a night!